Have a question or request? The grilles are of course replaceable Yet, considering the price of the unit, youd still want to treat it with all due respect and I hope this is a no-brainer. Like most professional microphones, the KSM9 has a low impedance of 150 ohms. Perhaps the closest competitor to the Shure KSM9 is the Sennheiser E965. Deepak is a List Writer for AnimeCoach with years of writing experience and a love for all things anime. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. The user should not attempt to remove or replace this lining. Shure Tech Portal open_in_new. The KSM8 provides greater immunity to these problems, due to linear polar response across the entire frequency spectrum. But a mic like this isnt perfect for all situations. Trademark Notices: The circular S logo, the stylized Shure logo, and the word, Shure are registered trademarks of Shure Incorporated in the United States. The capsule assembly process apparently involves ultrasonic and internal laser welding to help ensure excellent mechanical reliability, and the practical realisation of the Dualdyne capsule took Shures engineers seven years of development and optimisation. KSM8 in Nickel (G50) KSM8 in Black (G50) KSM9HS (G50) SM87 (G50) SM86 (G50) And don't forget about the optional SB900A rechargeable lithium-ion batteries . Most studio condenser mics are far more sensitive than dynamic mics, which can cause problems in live performance. The Neumann KMS 105, on the other hand, is a more affordable option that still provides great sound quality. Forums for Audio Professionals, Run by Audio Professionals. Sweetwater's Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shure's KSM8 dynamic mic and KSM9 condenser mic. At 191 mm (7.5"), it's slightly longer than the Shure SM58. I also noticed how the mic bodys tapering shape and weight distribution automatically guides a natural hand position well away from the grilles rear entry ports. 27 Wormwood St Check out the Shure KSM8 here:https://www.sweetwater.com/store/detail/KSM8N--shure-ksm8-dualdyne-nickelSubscribe to Sweetwater:https://www.youtube.com/user/S. Its a little more sensitive than a dynamic mic like the Shure SM58, but a far cry from the high sensitivity of some studio condensers such as the AKG C414. The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. And lets hope youre not positioned next to the drum kit! Most industry standard desks or interfaces are capable of providing phantom power, which is sent through the XLR cable to the microphone. Jan 28, 2013. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. Sweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). The KSM9 boasts a wide frequency range from 50 Hz to 20,000 Hz. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. Given the sensitivities of condenser mics, why would anyone risk using one on stage? Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. Don't Let Dirty Power Ruin Your Recordings. Just commenting again on the visuals for a moment, the KSM8 is a very elegant and classy-looking mic indeed, and if I didnt know better Id assume from its shape and styling that it was a capacitor mic rather than a moving-coil design. Both mics have their pros and cons, so it can be tough to decide which one to buy. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. Dynamic mics are particularly suited to live and stage use. This is, of course, complete nonsense: new developments are still appearing quite regularly, bringing substantial improvements in quality and accuracy, reliability or manufacturing costs. The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. Very well-defined cardioid polar pattern with minimal off-axis coloration and a deep rear null. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. Your email, has been entered to win this giveaway. Happy customers, one piece of gear at a time! On the surface this mic looks very similar, with the same sleek design. Reimagining beauty tools to make easy, confident makeup application possible for everyone, Creating nutritional intelligence to enable better food buying decisions, Helping to make the worlds best doctors accessible everywhere, Enabling cyclists to react to performance data in real-time and with minimal distraction, Improving operational efficiency in instrumentation, Developing sound-isolating earphones that musicians demand and consumers love, Delivering an extraordinary guest experience, Tower Point, OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. All you need to know about wireless microphones. Shure describe the KSM9 as the first-ever handheld condenser with dual diaphragms and switchable polar patterns. See giveaway details & rules or check out our past winners! It has a warm sound that is perfect for female vocals or mellow tracks. The Neumann KMS 105 is a condenser microphone that has been designed for studio use. PA Consulting. Varying the labyrinth delay time slightly leads to other directional patterns, such as hyper- and super-cardioid, where the null angles are offset either side of the rear axis at 110 degrees and 126 degrees, respectively. The kms105 is super clean, clear . This website is using a security service to protect itself from online attacks. AK8C. Given all the limitations of live performance, this mic really is impressively close to the natural sound of the human voice. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. And of these, the SM57 and SM58 are industry-standard around the world. It has a sumptuous rich low end that isnt overpowering, smooth mids, and sparkling fizzy high notes. A85WS Black foam windscreen for KSM8, SM58, SM86, SM87A, Beta 87A and Beta 87C A25E Black, Soft-flex Swivel Adapter for KSM8 and KSM9 RPM266 Black replacement grille for KSM8 wired and wireless RPM268 Brushed Nickel replacement grille for KSM8 wired and wireless. $12.39 ($2.48/Count) XLR Cable 6 FT/4 Pack, Microphone Cable 3 Pin Nylong Braided Balanced XLR Male to XLR Female Heavy Duty Mic Patch Cords. In Summary. In this blog post, we will discuss the comparison between Neumann kms 105 vs Shure KSM9, which one is best for you and why should you buy it. When you purchase through links on our site, we may earn an affiliate commission. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. England and Wales company registration number 2008885. Its most sensitive on-axis (at 0 degrees), but also picks up sound around 65 degrees either side of the mic. As lead vocalist of prog metal band im in doubt between the dynamic KSM8 and the KSM9.. What would you recommend? As for music genres, KSM9 works best with latin, jazz, pop music, rock and similar. At 191 mm (7.5), its slightly longer than the Shure SM58. The best way I can describe the sound of the KSM9 is that it provides an authentic reproduction of the sound source. Well, at 429, this mic doesnt come cheap. . I work with a female vocalist who is looking to upgrade her microphone. Another drawback of sensitive microphones is that they often have a low maximum SPL. Bauers clever Uniphase design omitted the rear diaphragm, but led directly to the iconic Unidyne Model 55 microphone, released in 1939: the worlds first single-capsule cardioid dynamic mic. The KSM8 uses a dual-diaphragm moving coil cartridge with a cardioid pickup pattern. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. All rights reserved. The Sennheiser also has a slightly larger diaphragm than the Shure. Cloudflare Ray ID: 7a2dba687d4fa3ab You can easily make one of these out of stockings, or buy one here. The KSM8 grille is lined with a permanently-attached hydrophobic cloth. The KSM9 uses an XLR cable to connect directly to the audio interface or mixer. It also helps to counteract the proximity effect. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. This provides a clean and transparent sound, while generating a little more heat than other designs. . However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. Taking its inspiration from Shures classic Unidyne III capsule (thats the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver a more consistent polar pattern. By 1967 Electro-Voice had improved the concept and the RE15 model was the first with Continuously Variable-D technology. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. Reviewed by: Paul NarangReview date: October 2022Current price: Around $500. This is also a good position for any sudden loud notes, or to shape, and tail off a long note. Last but not least is an interchangeable polar pattern. Sandusky, MI, United States (26) SHURE KSM9/CG/ BLXShure Quality at an Affordable Price for Basic Setups: $299. But for the money, youll get a classy, crystal-clear sound with heaps of dynamic detail. The output of these capsules is manipulated electronically to support two pickup patterns . Read Also >>USB VS 3.5mm MicrophoneUHF vs VHF wireless microphone systemsRode NTK vs. K2 MicrophoneNeewer NW 700 vs. Neewer NW 800Sennheiser e935 vs e945 Microphone Comparison. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater https://imp.i114863.net/WDLGBnShop Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater https://imp.i114863.net/0J3d0LIf youre wondering what video gear we use, check it out https://imp.i114863.net/n1z2DaSweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. On stage, the wider cardioid pattern is more suited to singers who move around the mic a bit more. Both mics share some internal design features too: they both have the dual diaphragm design, which delivers a nice smooth frequency response. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. Gone is the quite substantial midrange and high-mid boost, replaced by a much smoother and dare we say it more natural response, and although this seems lacking at first, whats missing is the borderline sibilance that an SM can easily exhibit. All in all, the KSM9 offers a very happy medium. Price $699. The action you just performed triggered the security solution. In my experience the KSM8 is a more hi-fi-sounding mic. 210.65.88.143 Thank you for your request. As a premium mic, the KSM9 is certainly pricey. The Shure KSM9 has a sleek metal solid-colour design. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. Developing the Source Code" that connects business strategy and customer insights to brand essence and product experience. More about the different types of microphones here. One big difference is that the Neumann doesnt have a switchable polar pattern its a fixed supercardioid. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. For quieter, well-controlled stage environments, (or in-ear monitors) the cardioid pattern sounds great. AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Re: The Behringer Keyboards 'n' Stuff Thread #3, Re: Mic Question M300 vs MKH 8040 or alternative. However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. Essential was founded with a belief and mission to empower people through design. The D224 became the flagship model, but the D202 and slightly smaller D222 models were far more recognisable thanks to their very distinctive shape. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. In Asia, call 852-2893-4290. This is to stop little bursts of air causing bassy pops on your studio recordings. The Neumann kms 105, on the other hand, is a more affordable option that still provides great sound quality. Not much help for the marginal types, though. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. 5 stars: 28 %: 4 stars: #3. Visit our corporate site (opens in new tab). The head of the mic is 49 mm (1.9) and it weighs in at about 300g (10.6oz). The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. This can really work well for folk, jazz and classical styles. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. Additionally, the KSM9 has a built-in shock mount that helps to reduce noise from vibration, making it ideal for use with high-end instruments. FR curves are similar (KSM9 has less proximity effect; KMS105 a bit smoother HF bump) and both seem to allow a good singer to sound, well, good. This protects the diaphragm and capsule from harm, and reduces handling noise and stage vibrations. . It is also a great option for those who are looking for a microphone that is durable and easy to use. Internal shock mount and capsule stabilization mean minimal handling noise. Patent Notice: Patent Des. This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. In a directional microphone, sound waves are generally directed towards the rear of the diaphragm through an acoustic labyrinth, which effectively introduces an audio delay. In simple terms, the direct result of that frequency-dependent behaviour is an almost complete removal of the mics proximity effect, as well as a better-controlled polar pattern, giving improved off-axis rejection and reduced off-axis coloration, too. 2:11 Shure KSM8 Only This pattern is fairly forgiving of mic position and technique, whilst capturing detail. Strategically positioning and bringing to life new brands. Importantly, the mic provides a pretty consistent 5dB of rejection of sources at 90 degrees right across the frequency range, so that whatever off-axis spill is captured remains fundamentally uncoloured. 3:06 Shure KSM9 Only The Shure KSM9 is a higher-end microphone that is known for its clear sound quality. Its an effect used by radio presenters to give them very deep voices. The latter also feels more nuanced and detailed in its response. Where you hold the microphone in relation to your mouth can make a big difference in sound. The benefits of this complicated and expensive approach include a very smooth frequency response with an unusually wide (for the day) bandwidth, a very uniform cardioid polar pattern with negligible off-axis colouration, and the complete elimination of proximity effect. At first glance it looks just like any other conventional stage vocal mic there's nothing in its styling that signposts the clever technology within. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. Occasionally we even see some completely new microphone technologies, with yet more hovering tantalisingly over the horizon. 71 user ratings. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). Review: Best Wireless Mics to date For pros & Noobs! . The higher range gets some gentle boost, resulting in more transparency andhelping to cut through more easily. At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. The Neumann KMS 105 has a more natural sound and is more durable than the Shure KSM9. All in all the KSM9 has a durable, carefully considered design. For more aggressive styles like metal, technically youll still get a betterquality vocal, but among those loud and heavy guitar riff sounds you may probably not be able to notice the difference. Wed love to hear from you. However the KSM9 is noticeably cleaner and brighter. This is like having two mics in one, and is a real bonus. Elegantly crafted products that are simple, useful, and desirable. Dual-diaphragm technology has important benefits for vocal work, which is why virtually every studio vocal is conventionally recorded with a dual-diaphragm (capacitor) mic. Brand New. The lower sensitivity allows Shure KSM9 to focus on the user's voice without picking up any sound from other directions. Looking at the mics published specifications, the frequency response is given as 40Hz to 16kHz, but these appear to be the limits at which the response has fallen by 10dB relative to the level at 1kHz. They are just in completely different leagues. There were four models in AKGs dual-capsule range, starting with the D200. Shure Audio Institute. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. The switchable polar pattern also gives you that extra control to tailor your sound to the vocalist and the environment. Future Publishing Limited Quay House, The Ambury, With solid internal engineering, it handles noise and feedback well. At a similar price, therere many comparisons to be made between the 105 and the KSM9. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. I was hoping to get a few opinions on these microphones. The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. . If you want the best quality XLR cables, try these. Shure KSM9 is a professional on-stage condenser mic. When unwanted off-axis sources leak into vocal microphones, it can degrade phase coherency and compromise source quality. It is also nice to admit the technological advancements implemented in this unit. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Aside from singers, weve seen it working foracoustic artists too, for example guitar players etc. It's the industry standard live vocal mic. The KSM8 has more of a presence peak in the upper mids, whereas the KSM9 feels more transparent throughout the high range. However, even so it is still significantly less expensive than many high-end capacitor stage mics, while it boasts some very useful and unique sonic and pragmatic advantages. But on closer inspection, each mic has their own distinct but subtle character. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. The KSM8 microphone is available in a black or brushed-nickel finish. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. Finally, dynamic mics are passive meaning they dont require any power. Our robust and effective solutions create market success. But a supercardioid pattern would be better when recording a full band in a single room. I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). DUAL DIAPHRAGM TECH. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. BA1 1UA. As a condenser mic, the Shure KSM9 requires phantom power. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. The diaphragm at the top of the capsule is a conventional active diaphragm with an attached coil of wire suspended behind it and sitting within a strong magnetic field. This revolutionary technology provides the following benefits: The KSM8 delivers exceptional results and withstands the rigors of daily use in the most demanding live sound environments. 95A2050 . A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. This mic offers dynamic lows, balanced mids and sparkling highs. This means theyre prone to overload and distortion from louder singers. A cardioid polar pattern picks up sound in a heart shape around the front of the microphone. SM7b is unique though, so dont expect you can get the exact same performance from another handheld. High sensitivity condenser mics are very good at picking up detail (both close-up and at a distance). On the other hand, condenser mics are less sonically limited than dynamics, and can deliver a lot of detail and clarity. MusicRadar is part of Future plc, an international media group and leading digital publisher. A premium-range handheld condenser vocal mic with a clear and authentic sound. The switch is under the grille. The downside is that the KSM9 seems to pick up everything on stage.. FYI there is a new version of the KSM9 that now offers a switchable polar pattern. Both mics have very similar specs and a similar size, weight and design. 3:26 What We Heard Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. You may use these HTML tags and attributes:

, In this article, you'll learn how to choose professional and budget, Copyright 2015 - 2023 Microphone Geeks LLC, AKG Pro Audio D7 Reference Microphone Review, Sennheiser e965 Review Switchable True Condenser, Shure Super 55 Deluxe supercardioid prop mic review, Sennheiser e845 review budget supercardioid, MaonoCaster E2 (AME2) review production audio interface for streamers, Maono PD400X USB / XLR podcast dynamic microphone review, Pixel Voical Lark X Wireless Lavalier System Review, Azden SGM-1X Short Shotgun Microphone Review. Unlike with other mics, both patterns of KSM9 work flawlessly. 531 171. The mic has a dual-diaphragm design that allows it to capture both the low and high frequencies of the voice, resulting in a natural and balanced sound. Inside, the microphone features a Class A, transformerless preamplifier circuit. The Shure KSM9 microphone is a high-end vocal microphone that has been designed for use in live and studio settings. Shure KSM8 Shop now at Amazon. They must maintain this distance in order to avoid variations in tone. Basic Analog Systems. http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! In the low range, we see a very gentle roll-off from 500Hz and below, with a sharper curve below 100Hz. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. Mylar is a registered trademark of E.I. In a switchable-pattern capacitor mic the rear diaphragm is made electrically active, of course, and by changing the electrical biasing of the two capsule halves and combining the electrical outputs from both diaphragms, it is possible to create any desired polar pattern from omni through cardioid and on to figure-of-8. The electronic circuit is maybe complex but it doesnt utilize any vulnerable components (such as triodes, crystal oscillators, etc.) If you want your live vocals to be closer to your refined studio sound, then this is where a good handheld condenser comes in. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . https://imp.i114863.net/b3emR60:00 - Intro1:12 - Shure KSM8 Only1:41 - Shure KSM9 Only2:11 - Shure KSM8 Only2:33 - Shure KSM9 Only2:46 - Shure KSM8 Only3:06 - Shure KSM9 Only3:26 - What We Heard5:52 - Thanks for Watching! At the rear of the diaphragm the acoustic combination of these separate signals with altered phases and amplitudes results in an accurate cardioid polar pattern with a greatly reduced proximity effect.